Cycle News - Archive Issues - 2000's

Cycle News 2006 Issue 32 August 16

Cycle News is a weekly magazine that covers all aspects of motorcycling including Supercross, Motocross and MotoGP as well as new motorcycles

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A fter the debut last year of Ducati's new family of d e s m o d u e S p o r t C l a s s i c s designed by Pierre Terblanche, starting with the launch of the Sport 1000 and Paul Smart 1000 cafe-racer sisters, desmo V-twin fans around the world are now being invited to look in their rear-view mirrors once again - to the dual- seat GT1000, the third model in Ducati's retro-bike family. Bearing the legendary Ducati name on its tank and seat in period script, this more upright and more practical everyday all- arounder is powered by an improved wet- clutch version of the 1000DS air-cooled twin-spark 992cc dry-clutch motor already used in the Smart and Sport single-seaters. As such, it's moreover closer yet in style as well as in spirit to the bevel-drive 90- degree V-twin motor, which powered the bike that it's so closely descended from - the valve-spring 750GT, which made its debut back in 1971, as then-Ducati-design- guru Fabio Taglioni's first-ever model in the long line of 90-degree V-twins. This trio of retro-bikes conceived by Terblanche pay tribute in a modern con- text to the minimalist design of the first- born members of the desmo V-twin family conceived more than 30 years ago. Yet, ironically, as compared to the nominally more modern Sport/Smart duo with their monoshock rear suspension and Y2K-rid- ing-positioned dropped handlebars and raised seat (in direct contrast to the more level, stretched-out stance of any period road burner), the apparently more-retro GT1000, with its twin shocks and high-rise handlebar set on 50mm risers mounted in a forged upper triple-clamp (which is a work of metallurgical art), is nevertheless in many ways a more modern machine. It's a bike Ducati needed to make to plug a gap AUGUST 16, 2006 • C Y C L E N E W S 56 Ducati SportClassics GT1000 BY ALAN CATHCART PHOTOS BY KEL EDGE

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