Cycle News is a weekly magazine that covers all aspects of motorcycling including Supercross, Motocross and MotoGP as well as new motorcycles
Issue link: https://magazine.cyclenews.com/i/128602
ing as I expected it might. You could
probably widen the contact patch
without sacrificing cornering ability,
in order to give a bit more straightline stability.
However, the main culprit is probably the vintage-era front-suspension
response delivered by the Gilera
forks, which felt very hard and
unyielding - if Bob Mac broke the 100
mph barrier over the 10M's bumps
with a setup like this, he really was
Superman, not a mere mortal. Derek
Minter says that this was an undoubted problem when he came to race the
Gilera in 1963: "The first time I rode
it at Brands Hatch in a warm-up race,
I told Geoff Duke the front end was
way too hard," he says. "But Geoff
said it was fine when he used to ride
it, and all he'd let us do was mess
about with the fluid weight and level,
when what we really wanted was a set
of modern forks that by the early '60s
gave a lot more movement and feel. I
also thought the chassis needed a
longer swingarm, to get more weight
onto the front wheel. Remember that
this bike was designed to run with the
much heavier aluminum dustbin
streamlining fitted, which means the
weight bias was adversely affected
and moved rearwards when they fitted this modern fairing for us to race
with. But nothing was ever doone
about it - shame, really."
Derek felt the 4LS brakes - which,
like the forks, were of Gilera's own
manufacture - were okay when he
rode with them, but by the standards
of late-1960s Fontana or Ceriani
drum brakes, they require a very hard
squeeze and a high leverage ratio,
and are prone to fade after several
hard stops. That could just be a case
of different shoes - at 328 Ibs. dry,
the Gilera isn't as heavy as you might
expect for a '50s four - but what I
really didn't care for were the very'50s, typically Latin, ultra-thin brake
and clutch levers, which bite into
your fingers when you start to
squeeze hard. No wonder they all
wore such thick gloves back in the
1950s1
The 1950s were a golden age for
Grand Prix road racing, with half-adozen manufacturers contesting the
blue-ribbon 500cc class and a bewildering array of technical virtuosity,
resulting in increasingly sophisticated, avant-garde machinery whose
design influence is still felt now. But
except for just one year, in 1956,
when MY Agusta won by default after
Geoff Duke's controversial suspension by the FIM effectively blunted
their title challenge, Gilera was effectively unbeatable in 500cc GP racing
- much as Honda is today with its
NSR500. The bike which allowed Bob
Mac to make his mark on the Manx.
record-books was truly the class act
of the Golden Age of Grand Prix racing: the Japanese picked a good
design to copy!
eN
john dowd and doug henry got
their start with the nesc
e
since 1958 the nesc has been running one of the best mx
series in the world, turning out champion riders like
team kawasaki's john dowd and legendary doug henry.
over a half a million dollars in contingency money from
honda, kawasaki, suzuki and yamaha make the nesc
motocross series the richest local circuit in the country!
eight rider appreciation days with a total of sixteen
thousand dollars in cash and prizes up for grabs!
twenty five thousand dollar expert points fund.
the four best tracks in new england.
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